foto-mondo: PHOTOBOOTH

Showing posts with label PHOTOBOOTH. Show all posts

Monday, June 23, 2008

duffey battillo 1960s photobooth

this photo was made in the 1960s- [probably in monroe] - it got cut in half at some point and i just merged the two [badly] today. it's me and raymond battillo- he was the drummer with "white lighting" - i played keyboards [vox organ and key bass- later hammond b3 and foot pedals] sang and wrote some of the material. i dont remember if this was before or after the band was formed or disbanded. i seem to recall it was when we in transition from one band to another, but cant remember which! "white lighting' was a psychedelic rock/soul band from the ark-la-miss [bill dunn: vocals, sax and flute; dabney tannehill: guitar and vocals]- we moved to colorado [1st to nederland, then to denver] where we became house band at the Exodus. what a wild and crazy time it was!

[c]2008 doug duffey

Thursday, June 19, 2008

photo booth pt2

hollywood 1970s

new orleans- 1970s

me and chip white- times square- nyc- 1990s

posing in new orleans in the 1970s

louise lawson and me- hollywood 1970s

a jazz trio i had in the late 60s/early 70s- me, gene pace and "robert from mississippi" [can't remember his last name]- monroe, la.

me in funk mode- hollywood in the 1970s

[c]2008 doug duffey

Sunday, June 15, 2008

PHOTOBOOTH PIX 1960s & 1970s

i love photo booths. i have hundreds of these photo strips of me and/or my friends from the 1960s onward. the strips are like little time capsules. i plan to do a whole gallery of these soon.

doug duffey and raymond battillo 1968

doug duffey- zen 1960s/1970s

doug duffey- 1960s/1970s

doug duffey- bill dunn early 1970s

bill dunn as julie driscoll- 1970s

debbie marsala/vicky goza 1960s/early 1970s

larry adcock 1970s?

[c]2008 doug duffey

about this blog

i began making photos in my teens. i wasn't really making much more than snapshots [except for a few psychedelic polaroids in the late 60s] until the 90s, when i bought a used Canon AE1 camera from a guy on Bourbon Street [probably 'hot']. that's when i began getting serious about photography. i taught myself everything by doing: how to use the camera; how to develop film; how to make the prints [b&w only]. when i bought 2nd hand darkroom equipment and began printing, it really became a passion.

i collect and use cameras: everything from crap 50-cent fixed focus plastic 35mm ones i find at junk stores to good quality Leica, Rollei, Bronica, Yashica, Nikon-i particularly like old manual cameras that don't use batteries etc. [Voigtlander, Zeiss, etc] i've been collecting rangefinders like crazy-it's gotten ridiculous: i have more cameras than i can use... but keep collecting. i sometimes turn broken cameras into pinhole film cameras.

i really like the effects i get with the crap plastic cameras [i like the element of surprise] using 'color process' b&w film- i usually load several w/different ASA film and take them when i go shooting. they're light, easy to carry, never need batteries, and i don't have to worry about lighting, or f/stops etc. i've also bought a lot of medium format plastic cameras as well [diana, agfa isola, etc] and old 127 ,120, & 620 film-cameras [both good quality and bad] - the fixed focus plastic lens make for dream-like, soft focus shots. i love old photographs and these were the type cameras that made the majority of those!

i've been trying to scan/archive most of my negatives/fotos for years now- but considering i have been making fotos from my teen years until now that is a major on-going work. i have about 4 external hard drives w/ thousands of fotos on them... and thousands of 'actual' physical negatives... and fotos- things i've shot all over the world; however, my favorite subject matter remains the beautiful but tragically disappearing old south, which i hope to capture as much of as possible.

i almost never have prints made. i usually print photographs myself, when i am going to do a series and or a show. i also develop all true b&w film/negatives myself, after having some negatives ruined by so-called professionals, who either used old chemicals or didn't time things right. as said, i collect old cameras and have many different film formats; many of the negatives would have to be sent off; so, doing it myself is faster and much cheaper. i'm not really into digital, because i like film... and i like working in the darkroom. digital cameras take the photos when THEY decide to; a manual camera makes the foto when YOU press the button. i've also seen digital fotos just 'disappear'- due to computer crashes- or media cards- so i prefer film. i have my grandmother's and mother's negatives from waaaaaaaaaaaaay back... which i can still print from... who knows that whatever digital medium we're using these days will even be functional in 5 years? give me film any time!

for a long time i have been using Ilford xp-2 - and Kodak BW400 [both are color processed b&w you can have processed anywhere] and scan the negatives into my computer. but , now to make things even easier, i just have whoever develops the negatives scan them to cd. of course i only print b&w- so for true B&W i print myself. if i photoshop anything it has to be a digital print; especially anything in color.

i've had exhibits in louisiana and europe, but due to the fact that music is my top priority business, i haven't been doing any printing lately. i just keep shooting more and more film and keep acquiring more and more negatives, polaroids, and cds of the work... [and collecting more cameras] at least i can post some of the digitized shots/scans here!

check out the IMPOSSIBLE PROJECT to save and continue Polaroid film